Teaming up with Ariel Rechtshaid (a producer known for working with Vampire Weekend, Charli XCX and this, Haim have developed a gorgeously crafted and exciting debut. It leaves listeners with a form of hope to overcome heartbreak, to carry on and move forward. Similar to last yearвЂ™s Gossamer, Days Are Gone wears its tenderness on its sleeve - not so much in вЂњwoe is meвЂќ clichГ©s, but through a fresh perspective. It features a bump-nвЂ™-grind type production, which could easily elicit a hip-hop remix somewhere down the line.Д®ven though the songs on Days Are Gone have an exciting and energetic feel, a deeper look finds a wounded, broken heart buried beneath the hooks. Curiously, вЂњMy Song 5вЂќ is the darkest track on the album and probably the closest thing to Top 40 this album is ever going to get. The title track is the albumвЂ™s centerpiece, featuring a lead from Alaina surrounded by a solid beat. вЂњIf I Could Change Your MindвЂќ backs a lyrical exploration about second chances with an infectious groove of bass lines and a gorgeous harmonies sung by all three. While a good amount of these tracks were featured on last yearвЂ™s Falling EP, Haim fill the gaps with more catchy and clever standouts. Much like DisclosureвЂ™s excellent debut, Settle, Days Are Gone arrives with a cohesion and maturity that outpaces many of their peers.

While the album cover emits a cheesy portrait cropped out of an Urban Outfitters catalog, itвЂ™s a misleading facade. Though itвЂ™s pretty easy to predict the discourse surrounding their debut, Days Are Gone, Haim prove via a solid set of songs that the ongoing conversation is warranted. Though while theyвЂ™re relatively new as a band, the women of Haim have been actively involved in music for a great number of years, from playing in a band with their parentsВ to Danielle performing with Julian CasablancasВ three years ago. When you have a BuzzFeed feature already assembled in listicle form before your debut album comes out, then thereвЂ™s reason to believe that audiences are already feeding at that buzz trough. The Los Angeles-based trio of sisters - Danielle, Este and Alaina Haim (pronounced HYME, rhymes with time) - have been gradually picking up steam this past year, with their presence having quickly been wallpapered all over the internet. ItвЂ™s hard not to grow a little nervous about this pattern with Haim. How many times have we seen this with a debut album? Is This It, Turn on The Bright Lights, MadvillainyвЂ¦. And itвЂ™s hard to avoid that spin cycle, one or several notable media outlets placing an album on a pedestal, inadvertently building up a long tail of cynicism after the fact. For while itвЂ™s easy get excited over an artistвЂ™s work, just as many are quick to tear it down. Everyone has something to play, and a quickly formed response to it at that. Social media has made the ability to promote music that much easier - and itвЂ™s also made it that much easier for opinions to spread before a listener can form his own. Music in the 21 st century is frustrating.

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